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Mike Hallenbeck
2008 - 2007
Things I've Said in My Sleep
My new headphone installation "Things I've Said in My Sleep" will be featured in the group exhibition "Overkill #2". The piece features vocalizations of my own transcribed sleeptalk, plus manipulations of a music box, clinking glasses, and a field recording of Tompkins Square Park in NYC.
The show opens July 4th at Jace Gace, Portland OR's premier purveyor of Belgian waffles, ales, and art (the art's not necessarily Belgian, but the waffles and ales are). Runs until July 27th. Jace Gace is at 2045 SE Belmont.
Sound Design Commission:
This piece was inspired by Ms. Jorgensen's research into near-death experiences. Participants wound their way through a dark, circuitous, and sometimes claustrophobic tunnel suffused with the sound of breathing, to emerge into a space bathed in the light of a heavenly video projection and ethereal music.
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Sound Spandrel: MMAA
For this exhibition I assembled an acoustic portrait of the MMAA's "silent" gallery space integrating recordings I made both inside and outside the museum itself, borrowing the architectural concept of the spandrel (the v-shaped space between two arches). "Sound Spandrel: MMAA" is a headphone installation that foregrounds peripheral and parenthetical sounds.
The first exhibition in the Twin Cities to focus solely on the role of sound in art, Sound In Art/ Art In Sound showcases the many forms of sound-- as mechanical, temporal, dynamic, collected and altered. The artwork brings 'noise' from the background of our daily lives to the foreground of our consciousness.
Featured Artists:
Once again, it's been my pleasure to contribute some sound work for an installation by Brooklyn- based artist Monika Bravo.
The placid image of a pond is projected against the wall and reflected in an adjacent mirror. Once triggered by the passing viewer via a hidden interactive device, a spiraling movement at the center of the screen creates a turbulence that quietly calms within a certain interval. Ms. Bravo describes her inspiration for the piece: "The object of our perception is not reality in itself but an illusion of images we have created. Thus, The Vortex is used as a metaphor to the practice of contemplation as one way to attain a transformation required to change our distorted reality."
GeoPhonoBox
A group show featuring sonic representations of 'place' created by sound artists, nature recordists, ethnographers, composers, pedestrians, geographers and other practitioners from around the world. Each submission in the show represented one geographic place within the realm of a cardboard shipping box.
My contribution is a collection called "The Premises", which documents in audio (and a few photos) the south Minneapolis house I lived in for four years, and which I was moving out of at the time I was creating the piece. Sounds include everything from mice in the walls to a burning house across the street.
GeoPhono Box was curated by Chicago based visual and sonic artist Zoe Asta and Associate Professor in the Department of Film, Peck School of the Arts, University of Wisconsin-Milwaukee, Rob Danielson.
The opening was a lot of fun. Thanks to everyone who came!
More info on GeoPhonoBox
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