MATERIAL INTERSECTIONS
A monthly educational podcast produced by the Colors/ Materials/ Trends Exploration Lab at Pasadena's Art Center College of Design, exploring approaches to materials and methods in the practice of visual creativity. I've composed music and mixed the final soundtrack for selected episodes since January 2009 on behalf of Tekspacular, a Los Angeles-based audio branding company.
VIDEO EXCERPTS Assorted music and sound design from Material Intersections episodes. Watch video
PLAYWRIGHTS' CENTER
Rich Girl
Little Eyes
by Cory Hinkle
Ady
by Rhiana Yazzie
The Bay of Fundy
by Sherry Kramer
The Sense of What Should Be
by Dominic Orlando
|
COMPOSER / SOUND DESIGNER WORK SAMPLES Click on the links below to hear mp3s of compositions in assorted styles. ETHEREAL [ WARM ]
Scattered Bells ETHEREAL [ OMINOUS ]
Dark Drone ELECTRO - POP BEATS / GROOVES
Slowbeat ORCHESTRAL
Suspense Montage MELODIC
Melodelicate LEFTFIELD
Music Box Hiccups - - - - - - - -
MIKE HALLENBECK
COMPOSER / SOUND DESIGNER
work samples : resume
References available by request
- - - - - - - - All sounds on this page are presented for demonstration purposes only. Any further use is prohibited without permission.
|
RED AND BLUE FLY AWAY FOREVER
Whimsical and bittersweet, the film contains no dialogue whatsoever, nor was any sound recorded during the shoot. My job was to compose a musical score and provide a minimal amount of sound design to help the film tell a story with wordless imagery.
In an urban park, a child comes across a balloon stuck to a tree. I created a vocabulary of melodic swoops and sweeps (somewhere between a musical theme and a Foley effect) to match the balloon's bob and weave in the breeze as it intermittently lights up in a red glow. A shimmering chordal backdrop underscores the mystery in this encounter.
An upbeat, triumphant theme when the boy frees the balloon and runs through the city, joyously brandishing his newfound glowing friend.
A poignant, downbeat theme when things take a turn for the worse.
As the boy and a new friend try to resolve a mounting challenge, ambiguously intertwining backwards melodies underscore their frustration.
When the boy and girl figure out how to make their balloons happy, a bittersweet theme accompanies some final vistas as the conflict is resolved.
STACKING CHIPS Several of my music compositions were recently licensed for the feature film "Stacking Chips", a thriller about assassins in search of redemption. The film-- for which I also served as Foley artist, dialogue editor, and sound designer-- was shot in Los Angeles and directed by Arthur Louis Fuller.
An ethereal music cue that blends slow chordal transitions over time.
mp3 [1:02, 1.4 MB]
A scary music cue. You will be very scared when you hear this. mp3 [0:23, 540 KB]
I also synthesized some original cell phone ringtones for this film:
Ringtone 1 [0:04, 104 KB]
Ringtone 2 [0:04, 100 KB]
Ringtone 3 [0:03, 84 KB]
View the trailer for "Stacking Chips" (to be clear, I didn't work on the trailer, just the film) |