I hardly do any work for the stage these days, but this was an opportunity I couldn’t pass up. Charles Cambpell and I have been something of a mutual appreciation society for the past few years, and it’s been a lot of fun to finally get the chance to work with his company Skewed Visions to create this performance piece. It’s very difficult to describe, and we’re still not sure exactly what we will have put together by the time it opens this coming Thursday, but suffice to say it’s unlike anything I’ve ever worked on before, and I’m grateful for the chance to explore such a wild and weird soundscape on the way there.
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Excerpt of a recent music composition I'm developing for Birds of the Future, an experimental performance piece by Skewed Visions. It’ll possibly appear in various iterations throughout the show. A version or two might feature live accordion performance, and/ or the original audio flipped around backwards. Hey-o.
Though it might seem a slam dunk, the final title of this piece may not in fact eventually be “Chug-A-Chug”. There’s an argument to be made that somewhere in the vast recesses of the English language, there may lurk a better title.