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JUNIOR BIRDMAN AUDIO

RECENT LISTENING: JOHN PORRAS, SOUNDTRACKS, PODCASTS

July 04, 2018  /  Mike Hallenbeck

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For the longest time I resisted Spotify, unhappy with the pittance they pay artists. I was finally swayed by somebody's tweet thread (don't remember whose-- apologies) pointing out that one's avoidance of Spotify can easily lead to looking up a song on, say, YouTube, which likely leads an upload by someone who isn't even compensating the artists at all... so, fair enough. Or, rather, not fair at all... the degree to which the music business continues to hack away at the earnings of its content creators irks me. But I'd rather support artists a little than not at all.

In lighter news, my listening since joining the 'fy has been on the droney and shambolic tip... so much so that the site's algorithm has begun recommending that I check out playlists like "Grab some z's" and "Podcasts to fall asleep to". They must think I'm a super dynamic dude.

Anyway, here's what I've been listening to lately, via Spotify and, of course this archaic device known as the iPod and-- get this-- sometimes even the CD player in my car.

MUSIC

Jon Porras: "Black Mesa", "Undercurrent"

Marco Beltrami: "A Quiet Place", original soundtrack

Barn Owl: "V"

Visitor, "Visitor" EP

Brian McOmber: "It Comes At Night", original soundtrack

Earth: "Hex: OrPrinting in the Infernal Method"

Andrew Lloyd Weber: "Jesus Christ Superstar", original cast recording

Adam Taylor: "The Handmaid's Tale" original soundtrack

= = = = =

PODCASTS (audio related)

Beards, Cats, and Indie Game Audio: 6/14/18 episode on #gameaudiotips is excellent!

Audio Nowcast

Tonebenders: #75, "Dialog Editing Roundtable" is amazing.

Soundtracking with Edith Bowman

Bobby Owsinski's Inner Circle

Recording Studio Rockstars

Tape Op Podcast

Twenty Thousand Hertz

 

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categories / music, soundtrack
tags / recent listening, podcasts, music, soundtrack

"BEEBOX" UPDATE

May 30, 2018  /  Mike Hallenbeck

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Recent and upcoming festival screenings of "Beebox", an animated short by Cable Hardin featuring FX edit, sound design, some light scoring and mix by Mike Hallenbeck at Junior Birdman Audio.

A rough-hewn tumble of organic textures, the film explores organic farming via Hardin's generation, documentation and manipulation of frenetic imagery from Blue Dasher Farm in Estelline, SD.

Screenings have included/ will include:

Barents Ecology Film Festival, Petrozavodsk, Russia, April 2018, FINALIST

Sioux Empire Film Festival, Sioux Falls, South Dakota, USA, May 2018

River Film Festival, Padua, Italy, June 2018

Food Film Fest, Bergamo, Italy, June 2018

CineAmbiente – Environmental Film Festival, Torino, Italy, July 2018

Supertoon International Animation Festival, Šibenik, Croatia, July 2018

Conscious Cartoons Animation Festival, Seattle, Washington, USA, September 2018

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categories / film, filmmaking, mix, postproduction, sound design, sound edit, animation, experimental, stop motion, short film, composition, work sample
tags / filmmusic, film, filmmaking, sound edit, sound design, foley, mix, rerecording mixer, work sample

PAX EAST / AT&T eMLS CUP 2018: SOUND EDIT+ MIX FOR SHORT DOC

May 13, 2018  /  Mike Hallenbeck

Junior Birdman Audio provided post sound for this recent short doc of the first-ever eMLS Cup at PAX East 2018 in Boston, featuring Jimmy Conrad and sponsored by AT&T. The mix had to be lightning quick, including polishing announcer and interview dialog captured in a difficult situation. I created a sound design replete with assorted accents and crowd audio from my personal field recording library, then whipped up a mix and delivered on a tight turnaround.

]More work by Junior Birdman Audio for corporate video

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categories / corporate video, mix, music editing, post, postproduction, sound design, sound edit, work sample, branding
tags / branding, sound edit, sound design, mix, rerecording mixer, corporate video
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