BEN AND DOPEY: SOUND + MUSIC CONSULTING

Lately I’ve been serving as a sound and music consultant on the feature film “Ben and Dopey” by animator John Akre. It’s a lot of fun listening to the original songs John’s been writing and making arrangement recommendations, plus suggesting areas where his homespun sound effects work might come in handy. I’m enjoying helping an artist realize an aesthetic through sound and music, using his own visual sensibility as a style guide.

The film tells the 1987 story of a Minneapolis street musician and his relationship with an animated duck created by his mother, an underground animator who seems to have disappeared. The movie takes place in the neighborhood that used to be where the Minneapolis Convention Center is now, as well as the original Nicollet Mall.

More work by Mike Hallenbeck for animation

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MINIDISC REDUX!

Recently I’ve been resuscitating a “sinner-songwriter” recording project I started almost 20 years ago. Engaging every lateral move I could think of between CPUs, CDRs, operating systems, DAWs, and dongles, I finally managed to unlock all the sessions and revamp them as projects in my current Nuendo system.

There was only one file I couldn’t find, which was a piano performance I tracked in my friend Ben’s living room, back when we were housemates. I wrote it off and redid the performance using a virtual piano, which was fine, but it still bugged me because it just wasn’t the same.

Finally I remembered that what I was sifting through were WAV files, but that the many of the source tracks-- including the piano-- had originally been recorded to minidisc. Minidisc, folks! And do I still have all those minidiscs from the early 2000s? You better believe it!

So I unearthed the boxes of MDs, and lo and behold, found the piano performance after about an hour of rifling through them. The disc was labeled and everything. I found one of my minidisc players-- my first one, not even the newer Sony that does actual digital transfer of files-- and was happy to discover that it still worked.

I input the audio into Nuendo-- complete with creaks of the piano bench and that annoying whir the MD recorder made every once in a while-- and I was happy to hear that I’d done a couple of mouth clicks to sync with the countoff I’d done on muted guitar strings previously. The session’s legacy tracks are now complete, waiting for edit and mix!