NOISEMAKERS
Another day at the office— assorted implements for blue-sky FX development.
Another day at the office— assorted implements for blue-sky FX development.
Playing around with some varied synth voices on a new project. The recipe cards that come with the Arturia Microbrute-- those perforated orange sheets behind the keyboard in one of the images (you put them over the console, and they’re marked up to direct knob-twiddling for the creation of certain timbres)-- allow for templates I can tweak for further editing of unique voices. Pretty cool. I’ve also looked up some patches on mbpatches.com, and originally I was noting each URL I cribbed from for recall, but I wound up tweaking them all so much that eventually I didn’t even bother with that. Instead, the photo documentation of knob settings (plus post-it note to remind me of modulation actions) in the other image depicts the high-tech method I’m using in case I ever have to recall any of those. And of course, none of this is just an excuse to mess around with my synth. No siree Bob. Not a chance.
I hardly do any work for the stage these days, but this was an opportunity I couldn’t pass up. Charles Cambpell and I have been something of a mutual appreciation society for the past few years, and it’s been a lot of fun to finally get the chance to work with his company Skewed Visions to create this performance piece. It’s very difficult to describe, and we’re still not sure exactly what we will have put together by the time it opens this coming Thursday, but suffice to say it’s unlike anything I’ve ever worked on before, and I’m grateful for the chance to explore such a wild and weird soundscape on the way there.